"I have measured out my life with coffee spoons"
~ T.S. Eliot
"The Love Song of J. Alfred Prufrock"

Friday, July 7, 2017

Violence

Little Miss Huckabee Sanders almost made me throw up today. The epidemic of kids murdering kids in Chicago is a "MORAL PROBLEM," opined the predictably permanent tabula rasa, spawn of the man who once said there is more freedom in North Korea than in Obama's America. 
In Dostoyevsky's great work, Crime and Punishment, Raskolnikov has a dream, an ugly, grotesque nightmare, that is so effectively narrated that its horror made me almost unable to get through it, and still does. I ask of you the patience to read the excerpt below:

"… He ran beside the mare, ran in front of her, saw her being whipped across the eyes, right in the eyes! He was crying, he felt choking, his tears were streaming. One of the men gave him a cut with the whip across the face, he did not feel it. Wringing his hands and screaming, he rushed up to the grey-headed old man with the grey beard, who was shaking his head in disapproval. One woman seized him by the hand and would have taken him away, but he tore himself from her and ran back to the mare. She was almost at the last gasp, but began kicking once more. 
“I’ll teach you to kick,” Mikolka shouted ferociously. He threw down the whip, bent forward and picked up from the bottom of the cart a long, thick shaft, he took hold of one end with both hands and with an effort brandished it over the mare. 
“He’ll crush her,” was shouted round him. “He’ll kill her!” 
“It’s my property,” shouted Mikolka and brought the shaft down with a swinging blow. There was a sound of a heavy thud. 
“Thrash her, thrash her! Why have you stopped?” shouted voices in the crowd. 
And Mikolka swung the shaft a second time and it fell a second time on the spine of the luckless mare. She sank back on her haunches, but lurched forward and tugged forward with all her force, tugged first on one side and then on the other, trying to move the cart. But the six whips were attacking her in all directions, and the shaft was raised again and fell upon her a third time, then a fourth, with heavy measured blows. Mikolka was in a fury that he could not kill her at one blow. 
“She’s a tough one,” was shouted in the crowd. 
“She’ll fall in a minute, mates, there will soon be an end of her,” said an admiring spectator in the crowd. 
“Fetch an axe to her! Finish her off,” shouted a third. 
“I’ll show you! Stand off,” Mikolka screamed frantically; he threw down the shaft, stooped down in the cart and picked up an iron crowbar. “Look out,” he shouted, and with all his might he dealt a stunning blow at the poor mare. The blow fell; the mare staggered, sank back, tried to pull, but the bar fell again with a swinging blow on her back and she fell on the ground like a log. 
“Finish her off,” shouted Mikolka and he leapt, beside himself, out of the car. Several young men, also flushed with drink, seized anything they could come across—whips, sticks, poles, and ran to the dying mare. Mikolka stood on one side and began dealing random blows with the crowbar. The mare stretched out her head, drew a long breath and died. 
“You butchered her,” some one shouted in the crowd.
“Why wouldn’t she gallop then?” 
“My property!” shouted Mikolka, with bloodshot eyes, brandishing the bar in his hands. He stood as though regretting that he had nothing more to beat."

And now please think how many human African slaves were starved, worked to near death, brutally beaten on beautiful ante-bellum manicured estates. Each of their murders was an Active sin, an Active crime, committed by White America. 
What we are now standing back and allowing to happen in Chicago and other places to young people, especially African-American teenagers and young adults is also a crime, but a crime we PASSIVELY commit by things like standing back and doing nothing except feeling morally superior. Just hearing of each murder should make us all as sick to the point of vomiting as the Dostoyevsky horse dream does to me. AND THESE ARE HUMAN BEINGS, NOT HORSES. THEY ARE OUR CHILDREN.
Note: In 1979, the great actor John Hurt portrayed Raskolnikov in a superb three-episode TV mini-seriers. If the horse scene is in it, I've blocked it out of my mind! I think I'll see where it's streaming. 
EVERYTHING'S CONNECTED.

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